By understanding proximity effect we can avoid unwanted bass or can take advantage of it when we need some extra low.
What I’ve noticed about people in the studio, and how you can plan for success.
Why drums acoustically sound the way they do
Taking some ideas from studio drum techniques to give your vocals a solid place in the mix.
A look at the pros and cons of several alternatives for engineers, producers and musicians…
It’s possible to attain something reasonable using headphones in the studio, if you’re aware of the pros and cons involved.