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Dear Old Soundman, I occasionally run sound for a band that tends to play at local hole-in-the-wall venues. O.K., we feel sorry for you, now
This end of the snake presents a very different set of challenges…
Opening lines of communication to help engineers work with the musicians and help them get as close as possible to their ideal mix.
Working in the live sound environment is addictive but also one of stress, responsibility and time constrictions often accompanied by severe lack of sleep.
The many factors to account for in getting it right on stage, and with consistency…
Suggestions from the other end of the snake for better events and interactions with performing musicians.
Considering some of the complex mechanisms performed by the human brain that affect localization and our perception of loudness.
A musician’s guide to getting the most from live sound engineers.
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