Keeping It Real: Psychoacoustics In IEM Mixing
What do we know about how the brain and ears work together to create the auditory response, and how can we make use of it in our mixes?
What do we know about how the brain and ears work together to create the auditory response, and how can we make use of it in our mixes?
Continuing the discussion of working toward a semi-silent stage.
Mixing worship is much more than turning knobs — it requires thick skin, a quick wit, and a sprinkling of political acumen…
Important points to keep in mind when you’re up to your neck in knobs and faders
After landing your “dream gig” is way, way, too late to start turning out your best work.
Looking back at the original plan and system for the 1958 show with headliners Billie Holiday, Dizzie Gillespie, Dave Brubeck, and Louis Armstrong.
Getting stage monitors setup right (or wrong) has an inordinately large affect on the outcome of the show.
A look at the history of stage monitors and the common issues they present, as well as some options for keeping things under control.
Sound engineer Francesco Rega chooses GLD-80 mixers with AR2412 remote IO racks at front of house and monitors for 30-date tour.
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