By understanding proximity effect we can avoid unwanted bass or can take advantage of it when we need some extra low.
Creative solutions for those situations where saving the gig means stepping away from familiar microphones and techniques.
New system employs eight Audix SCX1 mics – two matched pairs (SCX1CMP) of cardioids at the proscenium and four SCX1 omnis (SCX1O) about 30 feet offstage.
A fresh look at drum kit microphone techniques; taking a less conventional approach…