Def Leppard’s Phil Collen Cuts Live Tracks With QSC TouchMix
The Fender Factory reinforces and captures live performance with TouchMix-16 digital mixer controlled by an iPad.
The Fender Factory reinforces and captures live performance with TouchMix-16 digital mixer controlled by an iPad.
Several microphone techniques for capturing audience response to enhance live recordings.
NY-based RAD Distribution responsible for all of the company’s products in an agreement signed in February.
Getting quality audio to the recorder or computer and making things sound their best.
Longtime engineer Peter Moshay captures live performances for show hosted by Daryl Hall of Hall & Oates with rack of eight-channel microphone preamps.
Artist selects software-based console for recording and live-mixing album Live in the Moment II, which highlights live guitar solos from years on tour.
Audio systems engineer Charlie Albin and front of house engineer Chris Marsh utilize 64-track, 48kHz BBR64-MADI for virtual sound checks and live recording.
Examining a variation of the spaced-pair, developed by Decca Records, as compromise between stereo pair and multi-mic arrays for orchestral recording.
Engineer Kevin Sones takes advantage of iD22’s ADAT expandability by connecting it to an Audient ASP880 8-channel mic preamp
Usually you only get one chance to capture a live recording and it must be done right.