Bringing Sanity To The House Versus Stage Sound Levels Battle
How loud should it be? A better question might be “How loud shouldn’t it be?”
How loud should it be? A better question might be “How loud shouldn’t it be?”
Veteran engineer selects eMotion LV1 live mixer, SoundGrid Extreme Server and various Waves plugins to support breakout artist.
Peter Self tests human ability to differentiate recordings from performances in anechoic chamber with IB1S-AIII active monitors.
Connects analog audio to Dante audio networks with four microphone or line-level inputs and four balanced analog outputs.
The Warehouse Sound Services deploys S10 arrays for sold-out performances of the 1980s musical by students from the Royal Conservatoire of Scotland.
Wisconsin-based live event production company invests in K2 and Kara arrays, KS28 subs, and LA-RAK II racks with LA12X AVB-ready amplified controllers.
RIVAGE PM10, CL, QL, and TF Series digital mixing console presets are specifically designed for improved in-ear monitor management.
Drum sound can enhance or degrade an entire mix, so be sure to pay it due diligence
Westbury National updates Canadian church with RoomMatch arrays and flown RoomMatch RMS215 subwoofers.
Dual 10-inch model with 1.4-inch compression driver and waveguide now available in both touring and installation models, with new companion cardioid subwoofer.